Several Rotters have expressed interest in learning more about the rock group "Orleans," as well as the rock performer known as "Leo Sayer." We shall no longer dwell in ignorance. After minute upon minute of scouring the global information system known as the "internet," which links all of the world's computers together, allowing one to find nearly limitless information on seventies soft rock as well as a few other subjects, I have uncovered the following, which I publish here verbatim. I have also unearthed some images, including this one of Orleans, who, like the Rotters, are unashamed of manly love. It should also be noted that Orleans are not at all insecure about their bedroom furniture.
(If that makes no sense to you, ask Tobin about his new dresser.)Orleans: A Biography, by Richard SkellyBest known for their hits "Still the One" and "Dance With Me," Orleans was founded in New York in 1972 by
John Hall,
Larry Hoppen and
Wells Kelly.
Hoppen's brother
Lance joined before the group signed with ABC Records in 1973; working with producers
Barry Beckett and
Roger Hawkins at Muscle Shoals Studios, they released their self-titled debut later that year. In 1974 Orleans recorded a self-produced album in New York's Bearsville Studio, but ABC didn't like it and dropped the group from the label, leaving Asylum to release the album
Let There Be Magic in 1974, spurring the group's first big hit, 1975's "Dance with Me." Their album
Waking and Dreaming contained the hit "Still the One," which ABC-TV used as a theme song for that year. In 1977,
Hall, who wrote many of the groups hits with his wife Johanna, left the group to pursue a solo career. He recorded two solo albums after signing with Elektra Records, and became something of a spokesman for the anti-nuclear power movement, helping to organize a group called MUSE (Musicians United for Safe Energy).
Hall eventually worked with
Jackson Browne,
Graham Nash and
Bonnie Raitt to organize the No Nukes concerts at Madison Square Garden in 1979.Without
Hall, Orleans went through several other personnel changes before it had a number 11 hit with "Love Takes Time," from the album
Forever. Though MCA's Infinity label went bankrupt in 1980, the group persevered, performing together in clubs and releasing the album
One of a Kind in 1982. In 1984
Kelly died in London of a heroin overdose, and by the early '90s,
Hall ditched his solo career and returned to performing with Orleans. After the group released 1994's
Orleans Live, Vol. 1, and 1995's
Analog Men on its own Major Record Label,
Hall and the
Hoppen brothers continued to tour as an acoustic trio.
Leo Sayer, A Biography
by Stephen Thomas Erlewine
{Editors comment -- note the Supertramp collaboration. I've always thought they were so much better than Tramp. And, thank God he changed his name from Gerard.}Leo Sayer (born Gerard Sayer) had a string of highly polished mainstream pop hits in the late '70s. Sayer began his musical career as the leader of the London-based
Terraplane Blues Band in the late '60s. He formed
Patches with drummer
Dave Courtney in 1971;
Courtney used to play with British pop star
Adam Faith.
Faith was beginning a management career in the early '70s, so
Courtney brought
Patches to his former employer in hopes of securing a contract.
Patches failed to impress
Faith, yet he liked Sayer and chose to promote him as a solo artist. Sayer began recording some solo material written with
David Courtney at
Roger Daltrey's studio;
the Who's lead singer liked the Sayer/
Courtney originals enough to record a handful himself, including the hit "Giving It All Away." Sayer's debut single, "Why Is Everybody Going Home," failed to make any impact, yet 1973's "The Show Must Go On" hit number one in the U.K.; a cover by
Three Dog Night stopped Sayer's version from charting in the U.S. The following year he released his first album,
Silver Bird.
Silver Bird was followed quickly by
Just a Boy, which included two more British hit singles, "One Man Band" and "Long Tall Glasses (I Can Dance)"; "Long Tall Glasses" managed to break Sayer into the American Top Ten in early 1975. Sayer's working relationship with
Courtney was severed during the recording of his third album,
Another Year (1975). The following year, he released
Endless Flight, which was co-written with former
Supertramp member
Frank Furrell; featuring the number one singles "You Make Me Feel like Dancing" and "When I Need You," the record became his biggest hit in both the U.S. and the U.K., selling over a million copies in America. Following
Endless Flight, Sayer became a fixture in the American Top 40, yet his hits began to dry up in England.Sayer began the '80s with the American number two hit, "More Than I Can Say," yet it was his last big single in the U.S. His last chart entry in America was the early 1981 hit "Living in a Fantasy"; the U.K. hits didn't stop until 1983, after "Till You Come Back to Me" scraped the charts. After laying low for the rest of the decade, he attempted a comeback in 1990 with
Cool Touch, yet it fell on deaf ears.
Bonus: more Leo Sayer images, including Jumping Mime Leo, Scolding Leo, and Leo All Grown Up. He looks great:
The dresser is a one-of-kind piece carved in the likeness of Ann Coulter. "I used to be a Nancy boy, bleeding heart, health-care this, let's-find-a-tree-to-hug that until I came across this dresser," explained Smith. "It sounds strange, but this dresser not only filled the vacancy in my room but in my life as well." It may not be so far-fetched, defends team masseuse and spiritual advisor, Aly "Bono Deserves Pampering" Khalifa. "Tobin was always kind of a sissy before now. I mean, he never used actual cuss words, instead he used softened phrases, like Mother Hubbard and dog gone, you, bumface. Once, I even saw him apologize to a soccer ball because he thought he might have kicked it too hard. But now, wow, his cussing has really improved. And he's not afraid to plough right into someone, even if he misses the ball completely. In fact, I'd say everything but his actual soccer game has really come quite a long way."
